LAST NIGHT AT THE CASINO #13, $3, 4½” x 5½”, copied, 39 pgs.

I don’t know why it’s taken me until issue thirteen to read Last Night at the Casino for the first time. I’m kind of bummed I haven’t because this is great. As Billy (who also does the long-running zine, Proof I Exist) points out, the reason people like this zine is because it serves as a doorway between the capitalist world of gambling (where Billy has worked for years) and the anti-capitalist world of punk rock. A big change has occurred with this issue, though. Billy quit his job working as a dealer at a casino in New Mexico and moved to Baltimore. However, he can’t stay away from the gambling bug and decides to start dealing at private parties (think fundraisers or holiday parties where no one uses real money but instead does it for fun and/or prizes). This issue is all about his experiences with those parties. And it is fascinating! The events are so varied he finds himself at a charity event attended by professional football players and then at an elegant booster club fundraiser for black college fraternities. The writing follows a step-by-step account of the various gigs Billy has, and thus isn’t very imaginative or exploratory, but it provides great insight into a world of which I know very little. If you have even the faintest interest in casino culture and a sense of curiosity, this zine is for you! –Kurt Morris (Billy, PO Box 22551, Baltimore, MD 21203, [email protected])