Illustration by Becky R Minjarez
KOREANGRY: AN ANGRY KOREAN WOMAN, $10, 5½” x 8½”, Laserjet, 32 pgs.
The anger many of us people of color feel can either be hard to express, or a little too easy in the “shout at everyone at this bar and get kicked out of happy hour” kind of way. It can be a thin line, as many of those who do not understand this anger just see it as aggressiveness and/or whining. A way I never thought I’d see as a way of expressing these feelings is using clay figures. Using a clay figure as your personal icon is brilliant, and the emotion and power really shines through the figures. The passage and ravaging of emotions sometimes come out as physical ailments in Eunsoo’s avatar, and the representations of stress and vice comes in physical forms. It works so well in this form, and makes it a bit more accessible to some when words don’t work for them. Seeing all the perfect miniature recreations of household items and food is fascinating as well. Plus, it came with stickers of Eunsoo courting some fried chicken. –Iggy Nicklbottum (Eunsoo Jeong, instagram.com/koreangry)
13 POEMS, $5, 5 ½” x 8½”, copied
Taking a nod from Fugazi’s 13 Songs, 13 Poems is a subdued red statement on Rhine’s subversive and sweet America that weaves its way through regret-tinged Applebee’s karaoke bars and punk basements, Indiana Jones fantasy-scapes, rhythmic invocations, and meditations on skateboarding. I actually love this zine; it’s one of my favorite poetry zines I’ve read in a while, maybe because I’m a weird sad nerd drummer poet too. Maybe because it’s speaking directly about Rhine’s experiences as a New Jersey punk, and the sadness and out of step-ness and hope and dirty carpet and critical nostalgia that binds that experience together. It’s hard to not feel connected when someone is sharing so much in ways that feel familiar and honest. Fast read. Bound beautifully. 10/10 for me. –Candace Hansen (JR Rhine, jrrhinepoetry.bigcartel.com)
BEHIND THE ZINES #7, $3, 5½”x 8½”, copied, 38 pgs.
The always-engaging Billy who writes Proof I Exist, and Last Night at the Casino, and other titles has put together this zine about zines. The first piece is by Billy. It’s about zines and anti-capitalism and how he refuses to let go of the old school punk ethic of making zines and being a bit alienated from new school zinesters who now boast of how much they can sell a zine for rather than how many copies they were able to scam. He also shouts out Razorcake in that piece. Thanks, Billy. We do our part! There are articles about creating a graph to keep track of where your zines go, a story from a reluctant zinester who overcame their perfectionist tendencies to embrace zine culture, reviews of zine events, a zinester interview, and some reviews. As I write this, I’m sitting on the Amtrak, drinking alone, sad for a time when people would hang out in the lounge car drinking together instead of staying in their seats looking at their phones. I recall a time when I handed zines out to people I met. A few of them wrote me emails telling me how important my words were and I’ll never forget that. Don’t let human connection die. Quit looking at your damned phone and call somebody on it. Talk to strangers. Read zines. Sit down and order a fucking zine. –Craven Rock (Billy, PO Box 22551, Baltimore, MD 21203, [email protected])
BLEACHED POLAROID PROJECT, $?, 5¼” x 4”, Laserjet, 20 pgs.
This collection of bleached Polaroids is quite beautiful. Whether or not there is a story to these is up to debate. Since these are all assumed to be images from the lives of the photographers, it gives itself some meaning as snapshots from small moments they’ve lived. Bleaching the Polaroids creates this color distortion that’s interesting. The color saturation is boosted to a maximum, and most of the time creates a pastel look to them. Damn, the colors really bring my eye holes a great joy. It makes me wish I could frame these and put them on my walls, so I can look at them and vomit rainbows out of my eyes. –Iggy Nicklbottum (Desilu Muñoz and Stephanie Segura, lachambapress.tumblr.com)
CREATING SAFER SPACES FOR THOSE WITH DISABILITIES, $3, 5½” x 8½”, copied, 8 pgs.
A great beginner’s guide for those who wish to be respectful to those with disabilities, because, honestly, you were probably an asshole about it. This zine by Rep Tilian is great, as it’s very blunt, which is a tone that’s needed since lots of people are so condescending in how they act with disabled folx and don’t realize it. It’s like a wake-up call, and slam!—something to open up your eyes. Pick this up if you want to know if maybe you are being a douche without knowing it, and you can try to be a better person. –Iggy Nicklbottum (Rep Tilian, no address listed.)
DEEP FRIED, $1, 8½” x 11”, copied, 28 pgs.
When I imagine the pure, Platonic ideal of a digest-sized fanzine whose raison d’etre revolves around the mirth and woe of fast food, what I imagine is something fairly crappy looking, with hand-scrawled headlines, large, uninterrupted blocks of small text, and an occasional accompanying image of a BK Broiler® cut out of an advertising mailer. Startlingly, Deep Fried is actually pretty well-written, with reasonably slick graphics, proving once and for all that “value menu” and “quality” need not be mutually exclusive. Brief, fast-paced interviews (generally revolving around fast food, natch) include Mannequin Pussy and Joe Pickett of the Found Footage Film Festival; other tastefully McNugget®-sized articles include an explanation on how one used to be able to wax a ledge for skateboarding purposes with a Wendy’s soda cup, and the origin of Jell-O® Instant Pudding™. As the Descendents once said, “eating is believing.” –Rev. Nørb (2901 Yosemite Ave. S., St. Louis Park, MN 55416, [email protected])
DON’T BE A DRAG, $?, 5½” x 8½”, copied, 16 pgs.
Hell yeah! You gotta love some dope-ass queer weirdo art. This collection of some work by Anthony Hurd is a good, compact collection of aggressive, trashy artwork which combines political and sexual themes into a great gravy mash. There is great detail in each drawing from scales to skin, and its crass look is very appealing. There’s even a very unnerving drawing of human teeth with its own pair of teeth. Anything that terrifies me or makes me uneasy is a winner. It’s in-your-face and awesome. –Iggy Nicklbottum (Anthony Hurd, instagram.com/anthony.hurd)
EARTH FIRST!: THE JOURNAL OF ECOLOGICAL RESISTANCE Winter 2018, $6.50, offset, 8” x 10½”, 56 pgs.
If I’m being honest, I’ve always had a disconnect with environmental issues. This longstanding journal from one of the world’s most prominent radical environmental groups does a solid job of tying ecological matters to radical politics generally, piquing my interest. Questions addressed in this issue include how environmental issues affect refugees and how art is intrinsically related to environment. Nicely laid out, well-written, and thought-provoking, the Earth First! publication has the potential to exact change beyond simply preaching to the choir. –Art Ettinger (Daily Planet Publishing, PO Box 1112, Grants Pass, OR 97528)
FOREVER: A COLLECTION OF LOVE LETTERS, $?, 5½” x 8½”, silkscreened cover, 32 pgs.
Alright, okay, I’m a hopeless romantic. This zine pulls selections from the “Love Letters Anonymous” archive on Tumblr, which I’d seen before, but never in a physical form. Seeing these digitally is a wholly different, arguably commodified experience, where seeing them physically adds a weight I wasn’t prepared for in picking this up. Some of the letters are apologies or unrequited, some wax poetic, where others are completely straightforward. The oldest are between a husband and wife during World War II. All of them are striking; this zine is almost overwhelming in the sheer range of emotions. This might, too, be because all of us experience love, and it’s one of the strongest, stupidest things we feel. Either way, Forever has me dabbing away a tear, and I’m glad for it. –Jimmy Cooper (Natalie Woodlock, Sodapops Shop on Etsy)
GOOBERBUTT?! #2, $?, 5½” x 4”, printed, 10 pgs.
Inspired by a love of physical media (CDs, records, books, et cetera), this mini-zine is about cassette tapes; specifically four prominent ones that changed one person’s life. Everyone can relate to discovering your first favorite bands and the styles or genre of music that really spoke to you. The tapes that did that for the writer were from bands Faith No More, Burnt Toast, Vivian’s Lunch, and Rugby Mothers. Each has a little back story and memory as to how the tape opened up a world of music, made them want to start a band, and began the journey into digging for similar bands and music. Definitely relatable for any music fan, especially those of us who still collect physically instead of digitally. –Tricia Ramos (Gooberbutt?!, [email protected])
GOOBERBUTT?!, $?, 5½” x 8½”, copied, 20 pgs.
Jason, the author of this zine, writes of his life in Flint, Mich., back in the late ’90s and early ’00s. Specifically, he tells of what it was like to be part of the punk scene with his band, South Bay Bessie. He also recounts tales of living in a punk house, the band’s initial gigs, and playing at a nudist resort. One of the main venues in Flint at that time was the Local 432, a club where my friends’ band played in the early ’00s. I liked the space and the audience had a good vibe, so I understood some of what he was talking about in Gooberbutt?! There was even a sweet ending to the zine about how he met his wife. The final page is a list of things Jason wished he learned while he lived in the punk house. There was some nice stuff, but then the last one was, “Jesus was way cool.” I read that and thought, “Wait, did I miss something? Because that’s a serious plot twist.” There was nothing about religion in this zine at all. So I did some digging and found that the author of the zine used to be a pastor. That put it into context, but why even mention that? Otherwise, this is a solid zine that was a good trip down memory lane for me. If you interacted with the Flint scene or are just interested in reminiscing about ’90s small town punk, then check this out. –Kurt Morris ([email protected])
HEADWINDS #3, £1, 5½” x 8½”, 24 pgs.
This is a great zine out of the U.K. that covers reviews of records, podcasts, live gigs, zines, and festivals, as well as featuring in-depth interviews. In this third issue there are interviews with the band Blankets from Münster, Germany, and Trophy Jump from Zagreb, Croatia, as well as one with the head of a zine and distro in Malaysia. The interviews cover the general sound and history of the bands, while also culturally coloring them in. I appreciate there are as many questions about their songs, feelings concerning football, and opinions on each country’s politics. This zine helps to paint a very full picture of people engaged in DIY in many parts of the world. The bulk of it contains well-written reviews, including one of our own Razorcake. Kinda funny when reviews get a little cyclical like that, right? The only thing I didn’t care for was the front and back cover design. Had I passed this zine in a cafe or bookshop, I’d likely overlooked it because it features a fox in a fez playing a clarinet. Far as I can tell, this is just one guy putting all this together, which is pretty impressive. Overall, I really enjoyed it and would be interested in seeing the first two issues as well. –Kayla Greet ([email protected])
ICH WILL NIX ALTER WERDEN, $5, 5½” x 8½”, screen printed cover, 28 pgs.
This is a fictional story based on events from real life, so I suppose a way to categorize that would be realistic fiction. Written by Arielle Bungdorf, the story is told through a series of letters that one character is writing to her lover. It follows two teenage girls in 1979 who are involved in a relationship, though the Berlin Wall separates them. Peppered throughout are factual, historical accounts of life in Germany during the Cold War, as well as black and white photos from the time period. Anni tells her lover Micki that she no longer likes The Beatles and that punk is the new god. She dyes her hair turquoise and makes mix tapes featuring the Ramones and German punk bands for her partner trapped on the other side of the wall. Eventually, Anni reveals that she never sends these letters, as they would be intercepted by the Stasi and might just put them both in danger. I won’t spoil the ending for you, though it is heartbreaking. A well-written and beautifully laid out zine that I definitely recommend checking out. –Kayla Greet ([email protected])
JOHN CAGE: BIOGRAPHICAL FACTS ABOUT THE AMERICAN COMPOSER, $1, 8½” x 11”, copied, 24 pgs.
Spiritually more akin to a pamphlet than a proper zine, this is, as advertised, 161 factoids represented as pertaining to avant-garde composer John Cage. Said factoids were typed up in 12-point Times New Roman and printed out, then apparently cut out and individually rubber-cemented on the page, without conceit of graphics, illustrations, or embellishments of any kind. These “facts,” if you will, range from the factual (“He pioneered a new conception of music based on the use of chance and other nonintentional methods.” “For work, he once washed walls at a Brooklyn YMCA.”) to the yeah-I’m-pretty-sure-that-wasn’t-him (“He has a cameo in every Marvel movie.” “His song ‘Born to Run’ is written as a love letter to a girl named Wendy.”) to what appear to be random lines taken from mysterious short stories (“He watched his wife chisel white chocolate into a bowl. It looked like glaciers.” “He made his way by slow movements, nudgings of growth, like his own plants and flowers.”) to straight-up tongue-in-cheek buffoonery (“He is a species of ground beetle in the subfamily Orthogoniinae.” “He is a species of flowering plant found only on the island of Mindanao in the Philippines”). As pointless as this all sounds, this unusual work holds up disturbingly well with repeated readings, and I am using it, I Ching style, as the basis of my spiritual hygiene from this point forward. –Rev. Nørb ([email protected])
MAXIMUMROCKNROLL #430, $4.99, 8½” x 11”, newsprint, 96 pgs.
Sigh. By the time you read this, Maximum has come to an end. You know how it works: columns, reviews, interviews. Really wild to recently come back to this one after years away and see a loosening of the arch-ideologies that scared me away for a while: new diversity of coverage. There was no way, during the Tim nineties, a more freeform/organic band like Come Holy Spirit would have gotten coverage. I’m sad to see it go. –Michael T. Fournier (PO Box 460760, SF, CA 94146)
MINOR LEAGUES #7, £6, 9” x 8”, printed, 114 pgs.
On the English side of the Welsh border sits a county called Shropshire. Minor Leagues is a personal work of a father’s cancer diagnosis, living in Shropshire, and the memories of living in a small village. It is beautifully written with anecdotes, drawings, and a little bit of history of the area thrown in. This thick zine is a touching, running memoir-of-sorts from one person working through their grief of their father’s death twenty years later. –Tricia Ramos (Minor leagues, smoo.bigcartel.com)
MINOR LEAGUES #7, $7?, 9” x 10”, copied, 114 pgs.
This is a continuation of the long form “Where?” which began in issue #6. In this installment, Simon continues to solidify the link between geography and family, linking his dad’s untimely demise to the Shropshire region of England. A mix of prose and drawn art throughout—it doesn’t feel quite right to say this is a comic; if anything, it’s a graphic novel. I feel redundant when I review Simon’s stuff here because it’s hard to come up with new ways to explain how consistently thoughtful and dazzling each new issue is. Seriously, if you’re not checking this one out yet, you need to be. –Michael T. Fournier (smoo.bigcartel.net)
PUNKS AROUND VOL. 3: THE STORY OF MINOT NORTH DAKOTA PUNK 1989-2000, $3, 5 ½” x 8 ½”, printed, 31 pgs.
Minot, N.D. is a small, remote Midwestern city most well known for its Air Force base. This is the first of a two-part history of the development of their punk scene. Fueled by isolation, a small group of creatives banded together to create a community focused on fostering happiness rather than fashion, lifestyle politics, and virtue signaling; all of which are far too prevalent in the scenes of any major city. “When you’re isolated, you turn inward—a perfect catalyst for the creative side of people.” Chronicling the struggles of maintaining a DIY venue space and combating alcoholism, this history details how the punks of Minot, N.D. built a largely straight edge, progressive community centered around acceptance and friendliness. –Lorien Lamarr (Microcosm Publishing, microcosm.pub)
SLINGSHOT #128, free, 11” x 14”, newsprint, 20 pgs.
There’s some comfort in checking out the new issue of this long-running anarchist paper at the same time that Maximum is going under—these cats have been at it for years, and are still going strong. Tons of well-written articles throughout: resisting climate change, Brazil’s recent swing to the right, white fragility, and— just in time for gardening season—composting and human poop. –Michael T. Fournier (PO Box 3051, Berkeley, CA 94703)
subTERRAIN #81, $7, 10” x 12”, printed, 80 pgs.
subTerrain is Canada’s premiere literary magazine, featuring the best in “outlaw literature.” This issue features Lush Triumphant Literary Award winners in poetry, fiction, and creative non-fiction, as well as work from a few contest winners from the Vancouver International Writers Festival. The featured pieces in this issue all evoke emotions of struggle and burnout, of bleak childhood memories, and dystopian landscapes. subTerrain is always a treat to read, even if it is a bit of an emotional drain after you’re all done. –Tricia Ramos (subTerrain, PO Box 3008 Main Post Office, Vancouver, BC, V6B 3X5, Canada)
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