CASSETTE PIRATE #1, $?, 6” x 8½”, cardstock printed, 18 pgs.

Jul 20, 2021

A cassette-focused zine from a music lover with an affinity to collect, distribute, and document rare cassette tapes. This first issue features an interview with a Canadian cassette-only label, an interview with French musical composer Jean-Jacques Perrey, essays on rare cassettes, a bio on the creator of the cassette, and a few reviews. Pretty interesting, and reminded me of my own love (and the durability of them versus CDs) for tapes. –Tricia Ramos (Cassette Pirate, [email protected])

Related Posts

PUNKS AROUND #11, $4, 8½” x 5½”, 40 pgs.

December 3, 2020
This issue of Massachusetts based Punks Around features columns and art by POC (people of color, in case you didn’t already know) from folks such as Kevin Moore, Prof. Falcon (Boston tattoo artist), Michelle Gonzales (Spitboy), Carlos Romero (Providence show space organizer), Martin Wong (Giant Robot), King Mob (Fort Bragg Magazine), local punk Boston Brock, and artists Marius Marjolin, Shitgazer X Punkboi, and Sophia Zarders. The columns come mostly from the perspective of identifying as a POC punk in a mostly white and cis male-dominated punk scene. The writers all come from different walks—including Black, Mexican American, Anglo Indian, and Asian American—with the unifying theme of their involvement in their respective punk scenes, what punk means to them, and/or what aspects of punk need adjusting to truly become the all-inclusive subculture it was meant to be. The hardest-hitting columns came from the Black authors who shed some light and perspective on the subject of race relations that has become all too divisive especially in the United States with the Black Lives Matter movement currently taking place. Kevin Moore writes about finding solace in punk only to be made feel polarized and unwanted due to him being Black but then also finding some redemption by attending a Gorilla Biscuits show where he never felt more at home. Boston Brock talks about being accepted as a Black skinhead but also feeling tokenized and used as an excuse for racist remarks and behavior by people he once thought of as friends. Everyone’s experiences and art contributions to this issue are deeply personal and hopefully will further assist white allies in understanding what it means to be a POC punk in these tumultuous and outright fascist times. Highly recommended. –Juan Espinosa (Alexander Herbertson, 10 Matthewson Ave., Attleboro, MA 02703,
1 2 3 650

Thankful Bits is supported and made possible, in part, by grants from the following organizations.
Any findings, opinions, or conclusions contained herein are not necessarily those of our grantors.