One of the many offshoots of Jay Reatard and Eric Oblivian (together and in their respective bodies of work). Rumor has it they played only like two shows. I don’t know if they have any other songs in the can. Memphis has the kind of town/scene/what-have-you band mix, match, and swap that simultaneously inspires me and bums me out. It’s inspiring because any group of friends should be able to get together to make some music; I’m bummed because I have so much trouble doing it within my own town. The record sounds like a Reatard/Oblivian/Goner record, which means it’s good. Guitar attack, indeed!
–Sal Lucci (Goner)