Like its relative, industrial music (and when I say “industrial” I’m talkin’ Einstürzende Neubauten, Whitehouse, Throbbing Gristle, SPK, Minimal Man, and so on, not dance music with drill samples to make it “edgy”), noise rock is a bit of an acquired taste. It involves an appreciation for repetition, abrasive sounds played/performed at often excessive volumes, a willingness to overlook the fact that the standard verse/chorus/verse song structure is goin’ right out the window, and a tolerance for subject matter that’s bound to offend/upset someone, oh, every fourteen seconds or so. In short, it’s not something one wants to play at the next pinochle social. This reissue from these Swedish malcontents, originally released in 1994, fits right in with peers like early Swans, Cop Shoot Cop, and so on. With a guitar sound that’s part sheet metal/part sledgehammer, the music is often plodding and based around a simple riff or two played ad nauseum, and with titles like “Fuckmurder,” “Wash in Blood,” and “Queen of Necrophiles,” you know you’re not gonna get something high on the annual “most recommended PC listening” list, which is as it should be, goddammit. Everyone needs their tastes and mores affronted now and again, especially those associated with a scene as regimented and myopic as punk rock can be.
–jimmy (Skrammel, skrammelrecords.se)