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Razorcake #87
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My Dad Went to See Some Weird Music and... by Mike Faloon
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No Idea Records

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Below are some recently posted reviews.

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CHERRY BOMBS DK:
Punks on Parole: CD
So this Danish band has been around for the last twelve years or so. My question is: why arent they better known? There is some great punk rock going on here. Being influenced by the best in American and British punk and hardcore, but still managing to keep it sounding fresh is no easy task, but these guys are on it. Raw and catchy is special here and theyre serving it up. Now Im on a mission to track down their other releases. Great stuff! –Ty Stranglehold (Black & Blue, blackandbluerecords.com)


CHANNEL 3:
Land of the Free: 7
Decades down the line and CH3 are still kicking out a couple o new singalongs for yet another generation of kids who appreciate a band with more on their mind than getting fucked (up). This time round, they address the narrow-mindedness of some in the Land of the Free and, on Make It Home, surviving domestic violence. Both handily make their point without being preachy and do it with a sound that has matured without sacrificing power and their signature style. Also comes with a download card that tacks on five more tracks to the deal, including another duet with Maria Montoya, who the older fans will remember from her last stint with the band on You Make Me Feel Cheap. As with most Hostage releases, there are a limited number of these bad boys out there, so start scramblin. –Jimmy Alvarado (Hostage)


CHAD FREY:
Audiorape: CD
This is some really weird outsider stuff with bad lyrics sung-spoken off-key over generic guitar riffs. He sings about being depressed and how TV and junk food are bad for you and how you shouldnt download illegally. Its really, really bad, maybe some of the most hardcore of outsider music fans could get some pleasure from it, but even thats a reach. Stay away. –Craven (Frey Nation)


CATALYST, THE:
Voyager: LP
Long-running Virginia band The Catalyst infuse the full-throttle grooves of stoner metal with metalcores element of surprise. They avoid each genres pitfallsmonotony, technically impressive but unfocused songsand come out with an album that blasts forward like a comet. Suggested for fans of High On Fire and Coalesce. I will now name the dances that I did while playing this record, to give you an idea of the bearded space voyage that I went on in front of my stereo: The Funky Dracula, The Chopper Revver, The Bass Machine Gun, The Wiping Condensation off the Window of a Space Vessel. Might I also add that Voyager is a treat to look at. There is a molten fire hawk on the cover, a burning planet inside the gatefold, and the record itself is an orange and yellow vinyl supernova. Oh yeah, and they named a song after the high school I graduated from. –CT Terry (Forcefield)


CAR 87:
Trapped: 7
Brutal hardcore punk coming out of Vancouver. This kind of hatred and nihilism brings Poison Idea to mind and that is never a bad thing. These guys dont exactly sound like Portlands heaviest, but I get the same feeling when I listen to the record. If you have ever been to Vancouvers DTES (downtown east side) then you know where these songs are coming from. Its an amazing first release. I cant wait to hear more. –Ty Stranglehold (Car 87, facebook.com/careightyseven)


CAIRO PYTHIAN:
Toytowne: 12 EP

Cairo Pythian is a one person recording (and occasionally performing) project from Olympia, WA. Its 12 EP Toytowne comes to listeners from the excellent Olympia-centric label Perennial Death. The label has a knack for putting out releases by somewhat obscure, but deeply talented artists. Cairo Pythian fits right at home in this company. A bit enigmatic, he describes his music as adult contemporary, and claims no affiliation with a local scene. Only occasionally performing, Cairo Pythian seldom even practices or writes outside the immediacy of the recording studio. What he crafts in that setting is dark, brooding, and hypnotic synth pop, calling to mind progenitors of the sound while at the same time crafting something fresh and unique. Side A of the starts with a few simple notes and builds up from there into a steady, but subdued beat which he sings over. The simplicity and repetitiveness of the beat gets it caught in the listeners head, making them hang on every word of the vocals. Theres only a hint of silence as the first song fades before the driving beat of Dark End, kicks into life. The subdued beats of the track Matthew Churchill, follow. Side A concludes with Colouring Book, which has an echo-y, droning opening before mellowing into a series of synth riffs that build off one another. If a robots dreams were turned to music, I think theyd resemble the sound captured on this track. The opening track of Side B, White Wicker, is less synth-driven than the rest of the record. Featuring a spoken word intro, it is a guitar and drums track with a lot of reverb on the part of the guitars, and a pretty badass saxophone solo. Olympia is apparently all right if you like saxophones, and White Wicker, is a kicker of a song. The whole record seems to ebb and flow with intensity. White Wicker, gives way to the mellow Puce Cross, followed by the very danceable Naked under Suede. If theres a track on this that I could imagine getting spun at the club, this is the track. Toytowne ends with Laced, another mellow track that winds the record down to its conclusion. The more I listened to this record, the more I kept wanting to listen to it, and it has occupied my turntable for a number of hours. While not something Id normally be into, I found every track on this record infectious, and couldnt get enough.

–Paul J. Comeau (Perennial)


BUCK BILOXI AND THE FUCKS:
Self-titled: 7
Four sturdy, three-chord rockers with snotty vocals. The lyrics address hatred for those Weirdos on the Street. Shut the Hell Up and Shut the Fuck Up convey similar sentiments, but whos counting? Catchy, snotty, negative and addictive. A band to look out for. –Billups Allen (Orgone Toilet; facebook.com/Orgone-Toilet)


BRICK MOWER:
My Hateable Face: LP
Underdog pop punk from Jersey with self-deprecating lyrics about cigarettes and loneliness. The songs are midtempo and pound, thanks to a strong rhythm section. Choice song titles include Frozen Firecracker and Cheap Gasoline. If you told me that I saw this band with Plow United and Garden Variety in that sweet part of the mid 90s when Green Day had already made everyone like pop punk, but Blink 182 hadnt yet brought it to Party of Five, Id totally believe you. –Guest Contributor (Don Giovanni)


BRAIN TUMORS:
Fuck You Forever: 7EP
At their core, Brain Tumors are a band that mete out potent hardcore that eschews any metal trappings in favor of sloppy, full-bore thrash. The devils in the details, though, with sly hooks embedded into the tuneage, over-the-top performances, and obligatory slower sections that dont come off as obligatory. Dunno where Deranged finds all these sick friggin bands, but this is another winner. –Jimmy Alvarado (Deranged)


BOB MOULD:
Silver Age: CD/LP
Bob Moulds latest solo album arrives twenty years after the release of Copper Blue, the much-heralded album from his power pop band, Sugar. Interestingly enough, despite being a solo album, Silver Age is quite reminiscent of Moulds former act. These ten songs clocking in at thirty-eight minutes are power pop rock (and do I still hear a little bit of the Hsker D angst in there, too?). Drummer Jon Wurster of Superchunk and bassist Jason Narducy of Telekinesis form a great backing band with energy and strength to match Moulds. There is a confidence in the sound and Moulds voice that emanate positivity and strength. Sure, this isnt as good as some of Sugars best material (and its entirely different than Hsker D, although it does retain some of the sincerity and vigor), but its a solid album that Mould should be proud of. The Descent is one of the most infectious rock songs Ive heard in a while and the other material makes for good driving music. Theres a lot of positive vibes on here and, despite being in his fifties, Silver Age shows that Bob Mould is still writing some great material. Aging Hsker D fans, check this one out. –Kurt Morris (Merge)


BLUE CROSS:
I Am Death: LP
Im definitely enjoying the resurgence of death rock these past couple years. Blue Cross definitely stand out. I was in Extreme Noise a couple months back, and they were playing this. My friend was losing his mind over it. Gah!! Who is this? Are they an old band? Nope. Theyre new (a two piece, whose members been in/are in bands like Germ Attak, Iron Dogs, etc.). I showed him the LP and suggested he add it to his foot-high stack of seven inchers. Seriously, if you like the dark and cold stuff, you will love this record. Think early Siouxsie And The Banshees, but far darker. As though they mated with Christian Death, and this is their hell spawn. The guitar has that nice and dark sound, as well as those ice cold notes that have a way of bleeding all over the place, and creating this air of despair. Then theres the bass that lurks under it all, guiding you further into the gloom. The rhythms are plodding at times, and rumbling others. The vocals have a slight echo going on, giving them an otherworldly quality. Coming Back to Haunt You and The Man That You Fear are nothing but despairing, whereas songs like No Redeemer and Driving Spikes into Flesh are more defiant. The song, Despair, Dont Care is the most upbeat and has a riff and outro very similar to the Adolescents Amoeba. Perfect listening for the lonely hours. –Matt Average (Noxious Noize, noxiousnoize.blogspot.com)


BLOODTYPES, THE:
Just Your Type: CD
According to their website, theyre self-described prog-punkers. While I aint hearin the prog part of the equation, I am definitely hearin the punk: simple, catchy, thuddy punk at that, with names like The Day the Sun Explodes, Anti-Social Media, and Radiation Sickness. As with many of their Northwestern peers, they take that SoCal beach punk template and just run riot with ithooks aplenty, pummeling power chords, and some nice backup vocals to boot, with the results sounding reminiscent of both The Epoxies and something that could slip in on Dirtnaps roster without anyone blinking an eye. –Jimmy Alvarado (The Bloodtypes, thebloodtypes.bandcamp.com)


BING SELFISH:
Spanish Dictators: EP
For the uninitiated, the Messthetics label specializes in hyper rare DIY punk and power pop back from the dark ages. It makes the Killed By Death series of compilation LPs seem like fuckin Green Day in terms of obscurity. I have no idea how this dude finds all this shit, folks bashing away in their garage in Hay-On-Wye in 81, making cassettes even their own family never heard. Some of this stuff is really great hidden gems. This??? Garbage buncha dudes noodling in a garage somewhere. Not the least bit punk no hooks. They pressed a 12 of this shit in a pressing of 465 in 81 and still had 125 in 2011. Unsurprising. Terrible. –Tim Brooks (Messthetics)


BILL BONDSMEN:
Nineteen b/w Things Fall Apart: 7
Truly original hardcore punk! This band is all about execution. Tilting my head like a perplexed Jack Russell Terrier, I was hooked from the first time I saw their name on someones shirt. Bill Bondsmen? Awesome. On this record they crank out a double dose of dynamic, vicious, degenerated, mutated punk, and then leave you helpless, listening to a lock groove for about thirty seconds before you even grasp what just happened. Silk-screened cover, self-released by the band, highly suggested. –Daryl Gussin (Bill Bondsmen/4TG Procrastinations)


BIKES:
Self-titled: LP
Now that mainstream rock is dead, theres a new rise of garage rock (that, truth be told, has been happening since the White Stripes released their 2001 album White Blood Cells) and I for one welcome our new fuzz-oriented overlords. Bikes is the sound of the Stooges, with the execution of Ty Segall and the energy of a Dirtnap band. I cant help but look fondly on this new nostalgia weve collected in rocknroll. More than anything, a musical history should encourage re-exploration. The maps were drawn by artists in a long-ago time, but that doesnt mean theyre accurate or even complete. Bikes, keep on keeping on. –Bryan Static (Bachelor, bachelorrecords.com)


BEDFORD FALLS:
Elegant Balloons: CD
I really liked this a whole bunch. Bedford Falls sounds like a British version of late-80s early-90s melodic punk-derived rocknroll the likes of later-era Hsker D, Moving Targets, the Lemonheads after they were punk but before they went totally hippy-dippy, the Goo Goo Dolls after they were punk and before they made their sappy, watered-down fortune, and Hang Time-era Soul Asylum. (Sound of dead horse being flogged.) Its been a long time since Ive heard a new record that can pull off this sound without sounding derivative or tributary, and BedfordFalls accomplishes that difficult task. Me want more. –The Lord Kveldulfr (Boss Tuneage, bosstuneage.com)


BEARTRAP:
Sleep Eradication: EP
One of those bands that gets better with each release. They sound like theyve been locked up in the practice room for weeks, or on tour for a year constantly playing. The songs are tight and the delivery is brutal, as I hear the high schoolers say at the bus stop. Eight blasts of harsh thrash on one side of a 7! Hardly any breathing space between songsthey just rip into one after the othercreating the feel of a live show. I love how the bass opens up the record on the down stroke! Totally helps in creating this idea of hell breaking loose. The vocals are delivered fast as hell, making me think the singer must look like a rabid dog with slobber all around his mouth, and spit flying everywhere. The drums are played like they were meant to be busted on every song, and, best of all, despite these songs being played like theres no tomorrow, there are some catchy elements in here as well. Music for the misanthropic and sleep deprived. –Matt Average (To Live A Lie, tolivealie.com)


BARBARAS, THE:
2006-2008: LP
The Barbaras originally released their song Day at the Shrine on a 7 with a cover of The Urinals Black Hole. It was a good choice. The Barbaras often channel the ethereal energy that made The Urinals special. The infectiously catchy choruses are a stew of upbeat 50s pop riffs augmented with tasteful touches of fuzz and echo. Topsy Turvey Magic has nicely executed falsetto vocals and jumpy beats that make for enjoyable shore gazing. If Brian Wilson produced a Urinals record, this might be the result. Its a nice beach accessory. –Billups Allen (Goner)


BANDITAS:
Save the Rats: LP
Hands down, Save the Rats is the sleeper hit of this review batch. I really wasnt expecting much, and while the Banditas sound is actually a bit hard to pin down, I do know that I really, really like what Im hearing. A female three-piece with a sound thats a wildly successful amalgam of 60s pop, garage, country, and even gospel and its coherent. And awesome. Frequently sweet he done me wrong songs coupled with a stunning solemnity that really works in their favorits that sense of solemnity, coupled with the simple fact that these people sing really beautifully, that makes this record so rad. Harmony Glass is a perfect example of Banditas magic: a haunting and spooky reverb-heavy number laden with gorgeous harmonies and a slowly simmering rhythm section culminating a flare-bright ending. While that specific formula doesnt stay the same throughout the entire record, the effect does. This is a great, great album. –Keith Rosson (Hard To Kill)


ATTACK SHIPS ON FIRE:
Vegas Soul: CD
Um, this is really fucking bad. Point blank. Pennywise meets Clutch in some kind of unholy brogasm. I cant unhear this shit. –Ty Stranglehold (Squid Hat)


ANTiSEEN:
Blood of Freaks: The Singles 1989-1992: LP
TKO Records Vault of ANTiSEEN series returns with this extremely cool LP that compiles the songs from seven of the bands best records, originally released between 1989 and 1992. Many of ANTiSEENs top songs appear on this collection, including Up All Night, Hippy Punk, and Two Headed Dog. Limited to just two hundred copies on tri-colored vinyl, this mail order exclusive is sure to go quickly. As Ive written in these pages many times before, anyone into Ramones-influenced punk should give this classic band a chance. Blood of Freaks is an excellent place to start. It used to be a chore finding all of ANTiSEENs material, but TKO keeps making it a very easy task to amass a hearty collection of their releases. Mikey likes Life cereal. Youll like ANTiSEEN if you give them a listen. –Art Ettinger (TKO)


ANTHRAX:
All for the Cause: CD
Not to be confused with the U.S. heavy metal band of the same name, this Anthrax was a U.K. anarcho punk band active during that sub-scenes prime era, circa 1980-84. During that period, they released two EPs and a number of compilation tracks rich with the musical and lyrical influence of noisy peers like Crass and Conflict, yet maintaining a personality of their own. Some thirty-two years down the road, theyve self-released their first bona fide full-length, nattily packaged in a brown envelope with a lyric booklet, a poster of the cover art by The Tasty M, and a CD featuring all new material. They can still kick up dust with the best of em, but theres also a slightly more modern U.K. street punk feel in places. Lyrically, they remain as astute as ever, with commentary on the futility of war and the greed of those who profit from them, austerity, the evils of capitalism and the consumerist mentality that feeds it, and even an introspective critique of punks apparent misplacement of its purpose and/or its soul. Many of these old bands give it another go releases are abysmal exercises in ego stroking and demonstrations at how horribly songwriting skills can degenerate when a band forgets what its about. This isnt one of em. Much respect due, much respect given, and heres hoping this aint just a one-off. –Jimmy Alvarado (Anthrax, anthraxukofficial.com)


ANCIENT FILTH:
The Illusion of Freedom Is Control: Cassette
Boston maniacs Ancient Filth get back into it full force with their second release of the year after an astonishingly impressive debut 7. The formula is essentially the same as the last recording: fast hardcore, with raging vocals and lyrics calling out for a higher consciousness of the human races doomed existence without wagging a judgmental finger or soapbox preaching. Each song is one ripper after another worthy of any sweaty basement show mosh fest and climaxes with the Crass-gone-hardcore anthem Fight Fear. Program repeats on both sides, making this perfect for repeated listens. That is exactly what this cassette deserves. Absolutely mandatory. –Juan Espinosa (Self-released, FNL9000@gmail.com)


ADAM WIDENER:
Cola Kids Hanging Out in the Bubble Dome: 7EP
Pogo much? This is skinny ties and horn rimmed glasses kinda music. Out of San Francisco, Adams four pop punk tracks with snappy melodies and tight 4/4 rhythm maintain a continuous playlist of bounce-happy jams. Easy to sing along to, CC.MM.YY.KK, and the title track are a fine mock up of Buzzcocks meets The Kinks. Inventive garage riffs and harmonies make this a stand out in this genre. If youre in need of a little sunshine in these winter months, pick this up. Recommended. –Kristen K (Big Action, bigactionrecords.net)


ADAM MOWERY:
Four Track Mind: Cassette
An hour of light, pretty, depressing, and magical songs from a very talented songwriter, Four Track Mind is a bold collection of twenty-one songs by lo-fi recording genius Adam Mowery. An unsung hero of underground pop, Mowery does his own thing and does it well. His lyrics are haunting and morose, yet stimulating. Theyd sound ridiculous recorded in a bland hi-fi setting and are a rare set of tunes that honestly work best on the cassette format that theyre presented on here. Youll have a one-track, Mowery music-hunting mind after aurally ingesting this tape. –Art Ettinger (Hamburger)


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