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· 1:The Backpatches of NYC (Collection 6) adelsouto.com
· 2:The Backpatches of NYC (Collection 5)
· 3:The Falcon, The Copyrights, Sam Russo live at the Troubadour, July 16, 2016
· 4:Razorcake #93 Now Available, featuring Basement Benders
· 5:#414 with John Di Marco


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Razorcake #93
One Punks Guide to Pinball, by Kayla Greet
Razorcake #92
Spokenest, Gone, Gone, Gone LP
Pinned In Place, Ghostwritten By LP


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DREAM DECAY:
NVNVNV: LP

Anyone familiar with Iron Lung Records will know their penchant for unpleasant, difficult noise, whether it’s the blazing thrash of No Statik or the fucked up blast weirdness of Iron Lung themselves. I love the label and respect how they push the boundaries, but just could not hang with this disc on any level. Discordant, fucked up noise sludge. Tricky time signatures, vocals buried under a seething mass of noise. This record made me seasick and nervous. It took four attempts to get through it. I understand noise as a feeling, but this is way out there for me. Fans of Iron Lung, Lightening Bolt, and weird fucking vibes take note.

–Tim Brooks (Iron Lung, ironlungrecords.bigcartel.com)


NO SIR I WON’T:
The Door: LP
There’s nothing like wearing your influences on your sleeve… or in your name. I guessed this was going to sound like Crass, and boy was I right. I mean that in the best possible, driving-anarcho punk way, not the annoying squawking lady or the shit hippy overtones. To be honest, while the Crass label is an easy one, I think they have more in common with Conflict who carried a similar message with a more straight ahead musical style. This is powerful anarcho punk with a message that I wholeheartedly subscribed to as a youth. I signed up to the anarcho punk dogma as a teen in the ‘80s and, to be honest, much of the overly simplistic, trite lyrics about the threat of war, the system being shit, and animals being good really shaped what I have become. This is Dan from Surrender’s new band, which makes total sense, as this is a harder and faster continuation of that band. Can’t say I wholly subscribe to the anarcho dogma anymore, but I can dig it. –Tim Brooks (Framework, frameworklabel.com)


DOT DASH:
Half-Remembered Dream: CD

Remember when bands like The Jam and The Buzzcocks could balance a punk edge with a pop sensibility like a juggler with fifty bowls on their head riding a unicycle? Well, Dot Dash does. The emphasis here is on songs, and the band delivers on their third album. Songs like “Bloom/Decay” and “Shopworn Excuse” feature soaring harmonies and chiming guitars. Don’t forget the rhythm section, which is nimble and authoritative, sometimes all in the same chorus! Don’t go underground without Dot Dash in your playlist.

–koepenick (Beautiful Music)


NO MISTAKE:
Connect the Dots…Complete the Puzzle: 7" EP
Ripping, nine-track NYHC-tinged hardcore EP, fronted by veteran Mike BS of SFA and Go! These dudes seem to be based in California, but you’d be easily fooled to think they’re an East Coast band. It’s a thick, spirited, old school-sounding debut. Tough, yet not overly metallic. I’d compare them to a faster Murphy’s Law, rather than, say, Agnostic Front. Mike’s voice is almost comparable to Jimmy Gestapo at times, if we’re going to talk about NYC. One of the better HC releases I’ve heard in a while. –Steve Adamyk (Guerilla Vinyl, limogespunx.com / Refuse, refuserecords.prv.pl / Suburban White Trash, suburbanwhitetrashrecords.com)


DIE ROTZZ / THE BASTARD SONS OF MARVIN HIRSCH:
Split: 7” EP

Due Rotzz: one garage punk ditty and a smokin’, swaggering dose o’ raunchy rock’n’roll. No frills, just pure rockin’. Bastard Sons Of Marvin Hirsch: a double dose of tasty trash recalling the seedier side of the early ‘80s punk stuff. Nice split.

–jimmy (Go Ape)


DENIZ TEK:
Detroit: CD

Ex-Radio Birdman guitarist hits the deck running on his second solo album. “Pine Box” grinds some gears in the Stooges chassis, but from there Tek takes a U-turn. It’s still rock, but with more of a blues edge around the corners. “Can of Soup” and “Perfect World” are stand-outs, but playing Detroit while driving on a dusty highway in the desert would make a hell of a lot of sense. Solid musicianship by all the players here and well thought out songs make this record feel like a well of cold water that thirsty music lovers can come back to anytime.

–koepenick (Career, careerrecords.com)


NEW SWEARS:
Funny Isn’t Real: LP
Boy do I love it when an album’s cover accurately describes the music inside. It’s a collage of people in various states of partying. Beer, wounds, cross dressing, and an entire can of cranberry sauce being poured lovingly on a man’s chest. The pictures are cutout and pasted together in a haphazard manner which screams loudly “We’re not professionals! Try this at home!” Now imagine this aesthetic is applied to garage punk in the vein of acts like the Black Lips and Hunx And His Punx with the production values of a Dirtnap band. In short, fantastic. One of the best records of the year, no doubt. Put this sucker on and there’s a party immediately. Like, it just forms around the record. Grade: A. –Bryan Static (Bachelor, bachelorrecords.com)


DEMERITS, THE:
Shake It: 7”

Title track is a primal stomper long on attitude and short on pretense. Flip is along the same lines, with lyrics providing a snapshot of life in a band.

–jimmy (Mooster)


DELPHINES, THE:
“Panic” b/w “Uptown Lover”: 7”

Little bitty guitars doing a rapid-fire ding-ding-ding-ding-ding-ding-ding inside my skull like mice with jackhammers, vocals that sound like they’re coming out of the mouth of a Strawberry Shortcake® doll without pupils, and a drummer who left his cymbals in the gig bag out by the dumpster and couldn’t care less about retrieving them. Although “Panic” is clearly labeled parenthetically as the “single,” it’s the also-helpfully-denoted “demo,” “Uptown Lover,” that had me doing a double-take ((on the completely unexpected line “I’m a sex-crazed dope fiend!”, no less)). I think the word for which we’re all striving here is “keen!” BEST SONG: “Uptown Lover” BEST SONG TITLE: “Panic” FANTASTIC AMAZING TRIVIA FACT: Recorded on Guy Fawkes’ Night ((uncredited))!

–norb (Thread Pull, threadpullrecords.com)


NEIGHBORHOOD BRATS:
No Sun No Tan: LP
Neighborhood Brats are one of the best punk bands in America right now. Jenny Angelillo’s the star, the live focal point. Think: stilettos, the shoe kind. George Rager’s (real last name) the bear with a buzzsaw guitar. Think: stilettos, the switch-bladed kind. It’s like a ballet with violence. Think Runaways as a single woman. Tougher… tougher, still. Think bloody-nosed, tattooed beauty and Cleveland brawn backing. Think… aw, fuck it… thinking’s overrated. Neighborhood Brats sound like smashing things and that makes me extremely happy. Get on board. Or don’t. I don’t fucking care if you get it or not. Technical notes: longtime Brats fans, yes nine of these songs were previously on the one-side 12”, the Falsified 7”, and the We Own the Night 7”. Is it worth the repurchase? Yes. Two unreleased tracks of Brats are better than ninety-eight percent of full-length records coming out in 2013. –todd (Deranged)


DEFIANCE: OHIO:
The Calling: 12” 45

Is this a failure on NPR’s music director’s behalf? Why isn’t Def:OH being transmitted on radio waves coast to coast? Here’s my pitch, coconut water totebag patron. Defiance:Ohio are poetic. They don’t swear (on this 12”, for sure) but they question the government (yet don’t come across as libertarian dooshbags who want to hand education over to Wal-Mart and the national parks to Exxon.) The music’s clear and confident. They’re pretty-sounding. No confusing or potentially listener-angering, pledge-drive-ending distortion. There’s a violin played pertly, sometimes harrowingly. Listen carefully once and you’ve pretty much got all the lyrics bagged. High production values. Sparse but lush. Precise botanical line drawings of modern protest songs, akin to the Weakerthans, gardened by Billy Bragg. They’re undeniably catchy and teach new words. (“Prehension” is an interaction of a subject with an event or entity that involves perception but not necessarily cognition. Chew on that for a bit.) Endnote: when I’m drained or sick and don’t want to be blasted by music, Defiance:Ohio are like a nice cup of nice. I don’t say that derisively. Mellow, yet meaningful. They’re uplifting. Serious. No back hand to that compliment.

–todd (No Idea)


NEGATIVE PRESS:
Long Haul: LP
Chemically dependant and deep-rooted-issues dirge punk from Seattle, WA. Given the makeup of the band, which includes members of fellow local stalwarts such as Gag and Criminal Code, you’d think this record was a hands-down winner. Sadly, all I’m hearing is a less pleasurable stab at Pissed Jeans style despondence or the schizophrenic brilliance that is Slices’ Cruisin’ album. This record is like Little Caesars pizza: it’s okay but that’s kind of the problem. –Juan Espinosa (Inimical)


DECAY AFTER DEATH:
System Fucking Bastards: EP

Decay After Death play a mix of hardcore and metal that brings to mind bands like Bad Influence, Amebix, COC, Nausea, and the like. Songs are somewhat complex with different time changes throughout each song. There’s some soloing here and there, a delay effect on the vocals to make their sound a little more expansive, and the metal side gives these songs a darker and bleaker tone. It works well by backing up like-minded lyrics of a broken system, a bankrupt society, and the drudgery of daily existence. Not the best record of this style, but at least they’re attempting to say something beyond “the scene sucks, dude.”

–Matt Average (Cowabunga, cowabungarecords.com)


DEATH HYMN NUMBER 9:
3rd Degree Moon Burns: LP

This remarkably catchy garage rock album blew me away. Much faster than most bands of the genre and with a slight Dwarves influence, Death Hymn Number 9 is the most powerful garage punk band in ages. This is a record that will stand the test of time and will be spinning on turntables for years and years. It’s a major credit to Alternative Tentacles that they’ve found ways to continue to be a relevant record label after so many decades. I’m ecstatic to know that the folks who put out my all-time favorite record, the self-titled Crucifucks LP, are still releasing amazing albums. If they continue putting out bands like Death Hymn Number 9, there will never ever be a death hymn for Alternative Tentacles.

–Art Ettinger (Alternative Tentacles)


MUHAMMADALI:
Future Songs: Cassette
Wait, this is the same band that did a split with Unfun? Huh. To their credit, I cannot for the life of me pin this band’s sound down with any precision. It’s like a crazed melting pot of, I don’t know, Matthew Sweet, Sundials, and some Goner band all mixed and smooshed together. Part “alternative” rock, part sludgy post-rock, part garage punk. It’s interesting, I suppose. But maybe it’s the minimal packaging or the odd, noodling synthesizer scattered throughout. Maybe it’s the irritating soundbites or just the feeling I got that the songs are really trying to go like hell to go somewhere but never quite manage to arrive at their destination. Whatever it is, I couldn’t really get into Future Songs. The album just fell flat for me. One of those deals where I feel like, hell, all the pieces are there—I’ve practically got an obligation to like the album. But I just didn’t. Sorry, fellows. –keith (Dirt Cult)


DEATH BY STEAMSHIP:
Facetious: 7”

I got Death By Steamship’s first album, S.S Endurance, to review a while back and I played it quite a bit. I really dug how the lyrics, sung in a spirited, almost spoken shout, dealt with the working class existence in the way it really is. The songs, alternating from angry screeds about the information age and jobs to a joyful celebrating of life’s simpler pleasures—like calling in sick with your lover or just kicking it with friends—have a droll, two-tears-in-a-bucket poetry. The music is engaging and shrewd post-hardcore. It wasn’t until I went out and saw them that I realized that they’re probably one of the most authentic bands in Seattle. They played their hearts out to a mostly empty room. Wearing ball caps and jeans, they could have been punks, but just as easily your co-worker. Their sound is unique and challenging, perhaps alienating Seattle’s patched drunk punks, mook metal heads, and far too sincere and proletarian for the scenester, Boeing/Microsoft babies to take notice. The singer gave me this 7” that night after I introduced myself. It has the same feel—appreciation of small things like smoking cigarettes and reading Vonnegut on the porch. Righteous rage is spit towards butt-hurt, aggressive alpha males and negative jerkoffs who throw their weight around. Like their last release, it’s relevant, compassionate, and bold music that’s uncompromisingly inventive.

–Craven Rock (Whoa! Boat, whoaboatrecords.com)


MOON BANDITS:
Action Changes Thinking: 12” LP
Somewhere, out in the corporate music underworld, some poor bastard is going through piles of glossy photos and demos of the next big folk band slash teeny bopper poster boy. This, I am sad to report, is the state of Americana, or folk music, as it is represented in the popular media. Then, when you have given up on it altogether, the spirit of angry but gentle leftist folk comes back with an album like Action Changes Thinking by Moon Bandits. I loved this record. The Los Angeles-based duo has created a collection of songs about longing after nature, living in the city, corporate misconduct, and personal responsibility. This album is, in the most wonderful way, apocalyptic. The end is here. A new beginning is upon us. When I listen, I think of the great quote from philosophical anarchist Leo Tolstoy: “In the name of God, stop a moment, cease your work, look around you.” Beyond the great songs and lyrics, this album is beautifully packaged with original art, colored vinyl, and a zine that shares the song lyrics and personal reflections upon them by the band—Astrid and Tommy—and their friends.  –John Mule (Self-Released)


DATA CONTROL:
Self-titled: Cassette

Ten songs of cringing, flailing punk ala Career Suicide, Regulations, or even, dare I say, Christ On Parade, but also colder, more chilled somehow. More removed but still with that resoundings sense of paranoia. It’s good stuff, actually. I mean, come on, with songs titles like “We Are the Rats” and “Get Up and Die,” I was already halfway sold before I listened to the thing. Mine came on a repurposed ninety-minute book-on-tape in a language I don’t understand, possibly Swedish, leaving me about eighty minutes to marvel at just how little I actually know.

–keith (Signaler Från Ovan)


D.O.A.:
Welcome to Chinatown: D.O.A. Live: CD

So this is the end. A legendary band steers the ship out for one more ride into the sunset. Joey “Shithead” Keithley and his band of merry men offer up this blazing live disc to say goodbye. Recorded over three different nights at The Rickshaw Theatre in Vancouver, the sound is fantastic: twenty-eight barnburners covering the band’s entire history. I hope Joey knows how much of an impact his music has had on the punk world. “This Machine Kills Fascists” and D.O.A did more than their fair share. Thank you.

–koepenick (Sudden Death, info@suddendeath.com)


MOLE PEOPLE:
Red Reflector: 7”EP
You can tell this magazine is run by a bunch of squares ‘cos every time they get any drug music, they send it to me. Sure I love drugs, and I love some drug music, but don’t send every record made by a bunch of longhaired twerps who have just discovered LSD. Impossible, weird, fuzzed-out, shape-shifting noise from Cleveland. I dunno—some of the weirder Hozac, navel gazing Pavement maybe? It’s psychedelic in an indie rock way, all shimmer and fuzz. You know if you dig this. Get high. Grow your hair… fuck it. I think this shit’s got no soul. I still love drugs. –Tim Brooks (Tolmie Terrapin, tolmieterrapinpress.blogspot.com)


CRIMINAL TANGO:
W Granicach Rozsadku: 12”

I don’t know what I expected from this album, but I was wonderfully and pleasantly surprised from the moment it came on. From their description, Criminal Tango is “punk n’ roll, rockabilly, swing and [the] style of an old Warsaw busker.” The result is music you can drink and dance and sing along to, granted you speak Polish. While there are plenty of other bands like Criminal Tango trying to break out of punk’s often rigid hard lines, this one is an original.

–Guest Contributor (No Pasaran, nopasaran.pl, nopasaran@nopasaran.pl)


MINDSET:
Now, More Than Ever: CD
Straight edge hardcore in the East Coast vein. This CD collects an LP and two 7”s from this Baltimore, Maryland band. I’m sure those more familiar with the straight edge hardcore movement could pinpoint this sound a little better, but I hear elements of Gorilla Biscuits, 7 Seconds, and Dag Nasty, though the final product on the 2012 Leave No Doubt LP portion of this disc is much closer to the heavier, more metallic sounds of Sick Of It All and Cro-Mags. Right up my alley. Over the course of its ten songs and eighteen minutes, Mindset burns through well-written, well-executed and well-recorded hardcore, with intelligent and clearly heartfelt lyrics. Hardcore can sometimes lose me when it’s screamed to such a degree that you need a lyric sheet to figure out what they’re so goddamn angry about. Not the case here. Plenty of aggression and vitriol in the vocals, all with clear enunciation; what a concept! The next ten tracks come from 7”s released in 2008 and 2009. Same vein, but sounding a little more like the latest wave of hardcore that I’m more familiar with like Government Warning and Wasted Time. Whether you’re straight edge or not, this is some good fucking hardcore. I’ll be searching out the Leave No Doubt vinyl release for sure. –Chad Williams (Refuse, refuserecords.prv.pl, refuserecords@gmail.com)


CRIATURAS:
Espiritu de Libertad: 12” EP

I will admit, I was not instantly blown away by this band. Seems a lot of folks are. But with more listens I found myself starting to “get it,” and develop the opinion that Criaturas are pretty damn good. Musically, Criaturas crank out semi-speedy hardcore punk (emphasis on the punk here!) that recognizes the roots in the sense that they keep it raw and to the point. No polish and no frills. The songs are catchy. The mid-tempo bits help give the songs some weight and hold your attention. The drummer can bang, and I do like the basic approach in “Libertad O Muerte,” since it’s catchy, somewhat heavy, and gets inside your brain quickly. The vocals can be hard to take sometimes. When she’s just shouting and shouting, the words tend to run together and there’s not much distinction. Granted, songs like “Espirito de Libertad” are raging, but when you have songs in the similar vein right after the other, it starts to blend. When she switches back and forth between shouting and singing, like in “Lobos en La Noche,” “Asko,”(which has lightening fast vocal delivery) and “Opresion,” then the songs have more character. There’s also the song “Invierno Nuclear,” which is a bit different from the rest of the songs on the album. Though still driving, it’s not as harsh in its approach. The vocals are a combination of sung and spoken, while the music pulls back a smidge. It’s a pretty good decision, as it switches things up and accentuates the power they can generate with their songs. Something I’m really into is how these guys have a driving melodic sound, and at the same time there are some elements of bands like Discharge popping up here and there. I’m on board!

–Matt Average (Residue, residue-records.com)


CRAZY ARM:
The Southern Wild: CD/LP

Crazy Arm has previously flirted with a folk- and roots-based sound within its more standard anger-fuelled punk rock delivery, so it was no surprise to hear that the band was going to release an album which would eschew that more direct approach in favor of an acoustic-led dynamic. The result is a joy to listen to with a more relaxed musical feel throughout, yet which lyrically retains the anti-war and “no god, no master” type sentiment that have permeated Darren Johns’s song writing for the band in the past but there is also a more personal edge within the songs as well. With a variety of tracks being served up, this never gets stale and it will take quite a stunning release to stop this being in my top five albums of 2013.

–Rich Cocksedge (Xtra Mile, xtramilerecrodings.com)


MIND SPIDERS:
Inhumanistic: LP
My puny earthling mind cannot begin to comprehend the sounds hitting my ear holes. It’s like waves of science that were created specifically for my enjoyment. With each repeat listen I find myself falling deeper and deeper into the lair of the Mind Spiders. Leader Mark Ryan is an alien scientist, calmly asking questions, making observations, and doing research on the human condition. Every question is asked for a reason, every emotion is clinically analyzed. Every story detailed. Musically, the band continues to build upon last year’s Meltdown, taking some of the best aspects of some of my favorite bands such as Devo, Pixies, and (of course) Marked Men and distilling them into something that is, simply put, unearthly. This is easily in line for album of the year in my book. –ty (Dirtnap)


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·MANIX, THE
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