MAXIMUM ROCK’N’ROLL #423, $4.99, 8 ½” x 11”, newsprint, 104 pgs.

This issue of Maximum Rock’n’roll features the Break Free Fest and is promoted as “By Punks of Color for Punks of Color,” which is something I can fully get behind. The fest is in its second year and is held in Philadelphia, Pa., and showcased a myriad of bands from all walks of marginalized lives and identities. In a nutshell, it was a celebration of punk bands of color united by music to let loose, have fun, talk shit on our oppressors, and ultimately raise some funds to donate to worthy causes such as the Trans Lifeline, United We Dream, and The People’s Paper Co-op. Judging from the cover’s photograph, the shows looked like a lot of fun and boasted a largely black audience: fuck yeah! I haven’t flipped through an issue of MRR in quite some time, but a lot of my old favorites (Al Quint, Felix Von Havoc) are still representing. And while a lot of the other columnists are new to me, their writings are full of perspective from varying degrees, such as sex work (Erin Gerety) and radical teachers in the education field (John No). You say you want fucking punk bands? Featured are Olympia noise fuckers Physique, Portland political punks Abolitionist, and Parisians PMS in a farewell interview of sorts. All this plus the usual record, zine, movie, book, and demo reviews. Even though I’m not as much as a regular reader as I was in my early twenties, I find comfort in knowing that the world’s longest running punk fanzine still has something for everyone and doesn’t seem to be in danger of disappearing anytime soon. –Juan Espinosa (Maximum Rock’n’roll, PO Box 460760, SF, CA 94146)

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